Embrace your creed

This, to me, is a fascinating movie.  Not because of the story but because of it's commercial value.  It seems that local producers are beginning to adapt to modern commercialization.  Instead of making short ads, why not a whole movie?! No, no, no, it's premise didn't turned me off, it really did intrigued me.  Besides, I enjoyed Google's The Internship and that movie has been labeled as a huge Sell Out by most American critics.  Hey, it starred Owen Wilson and Vince Vaughn so of course it would be a simple fun movie.  Thus, with tons of sponsorship from big companies, let's review Jejak Warriors. 

So, there's rumors and 'news' about film production companies wanting to make a Keluang Man movie; even claiming that it's confirmed (At this stage? I highly doubt it).  The reactions have been positive reactions so far though I wouldn't call it a solid demand in the local film market.  If it ever gets made (I sure wish it doesn't or I wouldn't even care if it did), I'm absolute positive that it will fail critically and financially. 



WHO THE HELL IS KELUANG MAN?

No, it's not that I've never heard of him before.  I did watch a handful--though my memories a bit hazy about it--of Keluang Man episodes.  What I meant is that both audience and filmmakers have no idea who Keluang Man really is; what he represents and what are his aesthetics.  We're all blinded by nostalgia and childhood innocence.  It's hard enough that filmmakers have to figure out the story but it makes it twice as hard when the audience themselves cannot identify with Keluang Man with a proper aesthetic besides Batman Malaysia, Superhero Malaysia and nostalgic values.  Do you make a Western Superhero Parody? I think local movie-buffs would be turned off.  Do you make it fun and action-packed? Well, did you liked Cicakman or KL Gangster? What about a serious story? Keluang Man doesn't even have a proper mythology that's decently unique or engaging.

Please, for the love of god, watch it again and with an open, mature mind! I've revisited a few episodes.  It had a more fluid animation compared to Anak-anak Sidek.  But the filler dialogues and Batman villain rip-off shows that is still needs to age longer before it can turn into a movie. Now that I've revisited him, Borhan (Keluang Man) now reminds me of Goku.  He's fun, oblivious to the nature of his surroundings and villains always want to challenge him.




IS THERE HOPE?

I'm up for it if there's passion involved.  Perhaps, it's not the source material that I lack faith in.  And I always like to think of myself as the guy who fights for the audience :P
But as stated above, both filmmakers and audience still lack identification with Keluang Man.  Dare I say, even the hardcore fans.  We always need more content regardless if it's old.  So, I can see Keluang Man being revived as a new animated series and definitely as an ongoing comic book.  If it was up to me for the reboot, I'd get rid of the Batman villains.  Johan Hitam and that Samurai Guy (I forgot his name) would definitely stay.  Borhan's fun nature will still stay the same but I'd give him more backstory as to why he's in a mental institution in the first place.  But he's definitely not a symbol of a serious Malaysian superhero.

Salam and thanks for reading! 

Serious doh, aku tunggu title nih sejak Sekolah Menengah...bapak ah, mcm tk logik jugak dengar XD So much has changed since then :P

Haven't had a chance to visit their shop

Their current books on sell, check it out here: http://maplecomics.com.my/

 

I've watched it in the first weekend release and I've already come up with a few pointers for my review.  However, you could say it was ego that kept me from writing as I wanted to fill up this blog with a few more different topics before I dwell into movie reviews again; just for my self satisfaction.  Oh well, better now or never.

Here's a quick 'reaction' article for the latest reveal of David Ayer's Suicide Squad, Jared Leto as The Joker.

DC fanboy's disappointment aside (I'm a huge fanboy too), it's important to understand two things; the director, David Ayer, and the character himself.  I've recently bought a Joker action figure and ever since then, I've been obsessing and writing a few fanfiction of the Clown Prince of Crime.  So, it seems convenient to whip up a quick one with this latest reveal.

End Of Watch, starring Jake Gyllenhaal and Michael Pena. I urge you to give this one a try.

With a down to earth script and suspenseful simple action, End Of Watch is one of the best example to showcase Ayer's talent.  But don't worry, he has directed a few big action sequences before (As to what fans will expect from Suicide Squad)


One of his recent films, Fury.  Again, you can see the imagery of brotherhood bond but this time, with unique tank battle action!

There's been many articles regarding this matter and most of them tackles from a producer's perspective; of how this phenomenon is changing the industry and adding more revenue to big companies.  Even though this is very important (And exciting, if you ask me), I'd like to tackle from a fan's perspective as it is more engaging; to remind myself that it's all about the audience.

World Building, to put it simply, is telling stories of characters (Through multiple protagonists) in one single universe.  The best examples are DC comics and Marvel; before their recent movie franchises.  In fact, it is because of these two companies that this phenomenon has become popular and favored among big movie companies.  They've simply used their formula of marketing and storytelling  with their comics and adapted it in the movie making business.  It has even been used in Video games; another growing industry in recent years.  In this article though, we'll be focusing more on Malaysia's IP's and you'd be surprised how local talents have creatively utilize this (Despite the negativity the industry is receiving from fans).  More importantly, they were mostly done out of the spirit as fans, not as greedy and clueless producers.

The Cheesy-ness of this title card was intended...to reflect to franchise itself :p

 Mamat Khalid's Zomba franchise (At least, that's what I like to call it) has spun to sequels and even a spin-off.  It started with Zombi Kampung Pisang; a survival horror comedy with social satire.  A few years later, a sequel but with a different title was produced; Hantu Kak Limah Balik rumah which was more financially successful.  This time, it was simply a horror comedy; having a mysterious ghost instead of hoards of Zombies.

Though it was never confirmed if the director or even the producers had World Building in mind, the storytelling and marketing method was still similar as the characters from the first two would go on separate adventures (Facing other famous supernatural creatures) in Zombi Kilang Biskut and Husin, Mon dan Jin Pakai Toncit. It was even more apparent in Werewolf dari Bangladesh as it didn't starred the main character from past films.  Instead it was another famous comedic character, Usop Wilcha, who met a werewolf from Bangladesh.

This is not the best example of World Building in Malaysia but I say it's worth mentioning as it is one of few successful (At least, financially) efforts in the local movie industry.  It still caters to typical sequels; still relying on the same characters but with outrages genres that's inconsistent.



With excellent marketing and skillful storytelling, Les' Copaque has grown to be one of the most influential production company in Malaysia.  You wanna know how big their Upin and Ipin has become? Imagine growing up in an Asian country but surrounded with Western characters like Mickey Mouse or Power Puff Girls on pre-school murals.  As a kid, that's something normal at the time.  Now, schools everywhere are filled with Upin Ipin and Boiboiboy murals! When you've reached to kid's hearts, that's when you know you've created something more than just an Intellectual Property.

While I think I should write more on Upin Ipin's skillful storytelling method that surpasses most live action films (Debatable, I know), I'll try my best to focus more on their World Building methods.  Starting from the twins, the company has now expanded to two more shows; Pada Zaman Dahulu and the recent Puteri.  But in between these stories, Les' Copaque has adapted the Easter Egg method (Mostly used in Pixar films, Marvel and Video Games) to (not only promote their shows) hint possible and subtle connections between shows.  This is something that most film productions or producers in Malaysia don't understand, a method that diminishes the line between marketing and storytelling; making it more seamless and exciting.  Yes, while the method has been criticized by some for it's hard selling ways, the method has been proved to be effective if done in the right amount and with heavy care towards the story.  In fact, storytelling-wise, the Les' Copaque Universe (That should be a wikipedia page by itself there!) has hinted the possible existence of Ultraman! Malaysia's very own Ultraman and not a fan made one! 


With Tsuburaya's and Les' Copaque's joined projects (Due to Japan's recent effort in promoting their own content with other countries...check out Bima Satria Garuda for more examples), Malaysia was blessed not only with the live show of Ultramen but also our very own official Ultraman! 

Being brutally honest, this could have been another huge marketing stunt but with half ass execution of the end product.  Despite how far Malaysia has come with the marketing and event itself, never settle for less as you know Malaysia can do better.  I'm passionately happy to say that Upin, Ipin adn Ultraman Ribut was awesome! Nodding to the very well established fans of the series in Malaysia while maintaining their credibility with their own stories.  




To be more precise with Les' Copaque Universe, here's a quick explanation of possible facts based on the easter eggs. 





Pada Zaman Dahulu is the story of Sang Kancil and his witty and mischievous adventures; told through Tok Aki as he gives advice to his two grandchildren, Ara and Aris.  In the above still, Sang Kancil exists as a comic book and a TV show within Upin Ipin's universe.  



However, in Ultraman Ribut special, it is hinted that Ara (And possibly the other human characters of Pada Zaman Dahulu) exists in Upin Ipin's world as well.  To ad more speculation though, the ending of Ultraman Ribut's special ended with the twins dreaming of the event instead.  However, they woke up by having the transformation device on their wrists.  Confusing, no? But exciting nonetheless!


Even though Upin Ipin has grown to an establishment that's highly loved and creative, it's not enough as Malaysia needs more IP's and production companies that's up to date.  Things are looking bright in the Animation Industry as Boiboiboy is releasing their first movie this year.  Not to mention, their future projects in theme parks and collaboration with a Japanese company; Takara Tomy toys.  It's unsure about the live action industry though as you can see, the example above isn't exactly the best.  Malaysia is very far behind in marketing and, sadly, even storytelling.  What's best to do now--next to producing more IP's--is supporting it hence the writing of this article.

Here's hoping for better days ahead; In Shaa Allah.

One of the best things about storytelling is that it invites you to empathize the character or plot; opening up ourselves and recall a similar emotion or predicament.  For Papadom 2, directed by Afdlin Shauki, it was one of few local films that managed to make me open up myself; tearing up and being able to put myself in that situation.  To be frank though, it was more to the director rather than the fictional characters.  That statement has some critical weight to it in both positive and negative ways.